For Whom We Write
When a “diverse” writer pens a story with a “diverse” central character, is it enough? I argue not. The important missing piece is, for whom is the story being told.
On the Transnational Nature of My Book
Like my life, my teaching career, and my emotional connections, my fiction is infused with a strong sense of transnationalism.
“I Never Want to Feel That Way Again”
This scene of me wailing unabashedly before a crowd of bemused folk trying to speculate the reason for such unceasing tears, became a moment of reckoning for me. In that instance, standing amid a confused and sympathetic crowd, I made a decision.
Cultural Border
A cultural border attempts to force me into my box, the one I was supposed to be in, as defined by the same cultural border. Cultural border is the master’s tool.
Resisting Ableist Language in Romance
Crazy, mad, deewana/i (Urdu), pagal (Hindi), veDa/i (Marathi), ghelo/i (Gujarati)…
On Disability, the Invisible Kind
My disabilities are not what define me, but they contribute to the entirety of my being and identity.